Siemon Allen is a South African artist who currently lives and works in the United States.
Allen’s most recent collection project, Records, is rooted in
an extensive archive of South African audio consisting of over 2500
items including 650 rare shellac discs. The project has generated a
series of varied works sourced from this ongoing audio collection
including a number of site responsive installation works, a series of
large-scale digital prints, and a searchable web-based database that can
be viewed at flatinternational.org
'Practically, these prints are detailed scanned enlargements of
individual records. I chose items that were particularly damaged,
scratched or stressed; perhaps the opposite of what a record collector
might prefer to collect. The damage on the record was a further marking
by unknown authors who had unwittingly contributed their history to the
object. The image in the print captures not only the historical audio visually
in the form of the lines or grooves, but also the scratches, damage,
and repair work done by subsequent owners, which is clearly visible.
For me, the damage shown in the prints sets up a
visual irony. On one hand, in art historical terms, it represents a kind
of decay or even degradation. On the other hand, the damage is, in most
cases, the direct result of use and reuse. It could be viewed as the
by-product of the most amazing fun. This irony is heightened when one
considers the context of the object’s use—the apartheid era.'
below other installations by Allen
Source: siemonallen.org \
flatinternational.org
No comments:
Post a Comment